William Avery Hudson LLC

Art

Berlinale Forum

Born of dissent, the International Forum of New Cinema serves filmmakers and audiences who - while appreciative of cinema's power to entertain and knowledgeable of the tools of entertainment - want something more.

The singular value of the Berlinale Forum - the most consciously political section of the most political of the mega film festivals - is to be found in its evergreen ability to change our minds as the world changes around us.

“The Forum has always defended cinema’s role as a forum of artistic expression beyond imposed limits or categorizations, focusing on the new and unusual, whether seeking to preserve the experimental qualities of cinema or arouse the interest of audiences for expressive cinema from off the beaten track, ‘Expanded Cinema’, the filmic avant-garde, documentary film projects that shatter formal boundaries as well as popular world cinema have all found their place at the Forum…”

Christoph Terhechte[1]

Over the past four decades, international audiences have first seen films like Sátántangó and Shoah; films by Peter Watkins and Frederick Wiseman, at this unique festival-within-festival.

“The Forum thus has to be many things at once, goals which conflict with each other; a venue to reveal otherwise undiscovered geographic-cinematic territory; a place for the premiere of such films that, still today – though maybe not in the next decade – have a small chance of commercial distribution internationally; an integral part of a public event which services hundreds of thousands of Berliners but also visiting members of the media and festival programmers, who are looking for films to write about and bring home to their own festivals and who both thrive on negativity…”

Mark Peranson[1]

In my brief years of attending Forum, I’ve been impressed by the skill, knowledge, and passion of Forum interrogators during the all-important dialogs at the end of each screening. Here we see the heart of the project, the dedication to help give audiences orientation in the evolving world of cinema.

Taking advantage of the special attention span that occurs when people go crazy seeing as many films as possible for ten days, and filmmakers from around the world have an opportunity to engage with a knowledgeable audience and with each other, the Forum programmers help to show us a new way, often through films that don’t fit into the mainstream festival and distribution system.

1. Dialoge mit Filmen: 4 Jahrsehnte Forum/Dialogues with Films: 4 Decades of the Forum. Berlin: Arsenal - Institut fur Film und Videokunst e.V., n.d.